![]() 0083, the Federation space carrier Albion delivers two Gundam Development Project prototypes, the RX-78 GP01 Zephyranthes and the GP02A Physalis, to the Torrington Base in Australia for ground testing under the aegis of Anaheim Electronics engineer Nina Purpleton. Despite the shock defeat, both men retreat and plan the return of Zeon. 0079, Zeon ace pilot Anavel Gato returns from combat to find Admiral Aiguille Delaz telling him of the deaths of Gihren and Kycilia Zabi, as the Zeon forces surrender. Let’s take a good look at this 13-Episode series…ĭuring the Battle of A Bao A Qu in December U.C. It also features a very interesting villain and a fun, if not always likeable, protagonist to face off against him. He is stubborn and refuses to apologize for his misbehavior, even when he sleeps with his psychologist-wife’s patient.The last of the “classic” Universal Century OVAs, Stardust Memory takes place in between the original series and Zeta Gundam, doing an unnecessarily long and twisty version of events that led to the formation of the Titans group so prominently featured in the latter series. Harry borrows story lines from his real life for his fiction and in the process alienates his friends by revealing their secrets and portraying them as ridiculous. Nevertheless, Deconstructing Harry feels distinct from the rest of the catalog, because Allen plays a character who is not just annoying or neurotic but actually hateful. And, as in any number of Allen’s films, the protagonist worries about his place in the cosmos. Like The Purple Rose of Cairo (in which a character steps off a movie screen and falls in love with an audience member), it knocks down the wall between fiction and reality-Harry (Allen), a writer possibly modeled on Philip Roth, meets several of his creations. Like Stardust Memories, Deconstructing Harry follows an artist attending a ceremony in his honor and reminiscing over past relationships. Here, art doesn’t help you appreciate life it walls you off from its disappointments. Deconstructing Harry (1997), which considers the merits of art from the artist’s perspective, presents creative work as a consolation of last resort for those too pathetic to hack it in reality. The hours are good, you meet a lot of interesting people, you travel a lot.” Or from Stardust Memories: “To you I’m an atheist to God, I’m the loyal opposition.”Īs with the void moments, the message of the art moments varies. ![]() Sonja: “Sex without love is an empty experience.” Boris: “Yes, but as empty experiences go, it’s one of the best!” I can cite jokes from Take the Money and Run: “I think crime pays. (I tracked it down at the Paley Center for Media.) Lots of cinephiles can quote the best lines from Love and Death. Produced as a television special for PBS, it was pulled before airing, reportedly because the programmers feared antagonizing government officials. I’ve even watched Men of Crisis: The Harvey Wallinger Story, a 25-minute mockumentary that satirizes the Nixon administration. I have seen them all, as well as the early movies that he wrote but did not direct ( What’s New Pussycat?, Play It Again, Sam), the shorts Oedipus Wrecks and Sounds from a Town I Love, and the TV movie Don’t Drink the Water. The worrisomely prolific auteur has written and directed 40 feature-length films, and has a 41 st scheduled to premiere at Cannes in May. Yet attending “the new Woody Allen” is, for me, an annual rite. Given the redundancy of Allen’s work, it might seem like a waste of time to dig into it deeply and get beyond his top-tier comedies and dramas. In Celebrity (1998), a model says she’s “polymorphously perverse … meaning every part of my body gives me sexual pleasure.” That should sound familiar: In Annie Hall (1977), Alvy tells Annie that she’s “polymorphously perverse … you get pleasure in every part of your body when I touch it.” He recycles character types: the neurotic Jewish New Yorker (the filmmaker’s spit and image), the adulterous intellectual, the hypochondriac intellectual. He reuses the same font, EF Windsor Light Condensed, for his titles and credits. ![]() It’s not just that he recasts actors or that he revisits the themes of domestic boredom and cosmic insignificance. The extent of the similarities from one film to the next is remarkable. In Allen’s case, it’s ground trod by anxious, well-to-do white people, who swap partners and drop cultural references in an empty, godless universe. ![]() ![]() Wodehouse, Woody Allen returns compulsively to the same creative ground. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |